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<description>&lt;p&gt;&lt;strong&gt;&lt;span&gt;&lt;span&gt;Gerd&lt;/span&gt;&lt;/span&gt; Leonhard: Media Futurist, Author, Speaker, Entrepreneur&lt;/strong&gt;&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;Gerd Leonhard&lt;br /&gt;&lt;a href=&quot;http://www.mediafuturist.com/&quot; target=&quot;_blank&quot;&gt;Media Futurist&lt;/a&gt;, &lt;a href=&quot;http://www.endofcontrol.com/&quot; target=&quot;_blank&quot;&gt;Author &amp;amp; Blogger,&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=aUrj7CJ0CUs&quot; target=&quot;_blank&quot;&gt;Keynote Speaker&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://gleonhard.blip.tv/rss&quot;&gt;&lt;span&gt;Subscribe to my video feed&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.lulu.com/commerce/index.php?fBuyContent=4786080&quot;&gt;Best of 2008 essays on Lulu&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;mailto:gleonhard@pobox.com&quot; target=&quot;_blank&quot;&gt;gleonhard@pobox.com&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.gerdstream.com/&quot;&gt;Thought-Stream&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Contact Me:&lt;/span&gt; &lt;a href=&quot;http://www.linkedin.com/in/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.facebook.com/profile.php?id=502410383&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://delicious.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.twitter.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://friendfeed.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.flickr.com/photos/51745579%40N00/&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.youtube.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.twitter.com/dailywisdoms&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;The Wall Street Journal calls Gerd one of the leading Media Futurists in the World. He is the Co-Author of the influential book &#8216;The Future of Music&#8217; (2005, Berklee Press), as well as the Author of&lt;a href=&quot;http://www.music20thebook.com&quot; target=&quot;_blank&quot;&gt; &#8216;Music2.0&#8217; &lt;/a&gt;(January 2008 www.music20thebook.com), and &#8216;The End of Control&#8217; (see the preview chapters at &lt;a href=&quot;http://www.endofcontrol.com&quot; target=&quot;_blank&quot;&gt;www.endofcontrol.com&lt;/a&gt;, print publication in 2009).&lt;br /&gt; &lt;br /&gt;Gerd&apos;s background is in Music (he won the Quincy Jones Award in 1986 and is a graduate of Boston&apos;s Berklee College of Music) and in Technology, Internet and Media. His work focuses on the Future of Media, Content, Technology, Business, Marketing, Advertising, Branding, Communications and Culture, and he is considered a leading expert on topics such as social media, Web/Media 2.0, mobility, innovation, UGC and peer production, social networking, cultural changes due to disruption by new technologies, education, copyright and IPR issues, digital content commerce models, media convergence, mega trends, mobile entertainment, entrepreneurship, the future of advertising and branding, future scenarios and planning, digital content strategies and the development of next-generation business models.&lt;br /&gt;&lt;br /&gt;Gerd&apos;s keynotes, speeches, presentations and think-tank appearances are renowned for his hard-hitting and provocative yet inspiring and motivational style. With over 80 engagements in 17 countries during the past 3 years Gerd has addressed executives and professionals in the sectors of communications and telecom / wireless, recorded music &amp;amp; music publishing, radio, TV, film/video and broadcasting, online gaming and virtual worlds, and advertising, marketing and branding. &lt;br /&gt;&lt;br /&gt;His diverse client list includes Nokia, Google, SonyBMG, RTL, ITV, the BBC, France Telecom / Orange, Deutsche Telekom, The Financial Times, TribalDDB, DDB, Omnicom, the European Commission, Nokia-Siemens-Networks, Kuoni and many others. Gerd is a fellow of the Royal Society for the Arts (London), and resides in Basel, Switzerland.  &lt;br /&gt;&lt;br /&gt;More details are at www.mediafuturist.com&lt;br /&gt;&lt;br /&gt; &lt;/p&gt;</description>
<itunes:summary>&lt;p&gt;&lt;strong&gt;&lt;span&gt;&lt;span&gt;Gerd&lt;/span&gt;&lt;/span&gt; Leonhard: Media Futurist, Author, Speaker, Entrepreneur&lt;/strong&gt;&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;Gerd Leonhard&lt;br /&gt;&lt;a href=&quot;http://www.mediafuturist.com/&quot; target=&quot;_blank&quot;&gt;Media Futurist&lt;/a&gt;, &lt;a href=&quot;http://www.endofcontrol.com/&quot; target=&quot;_blank&quot;&gt;Author &amp;amp; Blogger,&lt;/a&gt; &lt;a href=&quot;http://www.youtube.com/watch?v=aUrj7CJ0CUs&quot; target=&quot;_blank&quot;&gt;Keynote Speaker&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://gleonhard.blip.tv/rss&quot;&gt;&lt;span&gt;Subscribe to my video feed&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.lulu.com/commerce/index.php?fBuyContent=4786080&quot;&gt;Best of 2008 essays on Lulu&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;mailto:gleonhard@pobox.com&quot; target=&quot;_blank&quot;&gt;gleonhard@pobox.com&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.gerdstream.com/&quot;&gt;Thought-Stream&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Contact Me:&lt;/span&gt; &lt;a href=&quot;http://www.linkedin.com/in/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.facebook.com/profile.php?id=502410383&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://delicious.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.twitter.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://friendfeed.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.flickr.com/photos/51745579%40N00/&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.youtube.com/gleonhard&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.twitter.com/dailywisdoms&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;The Wall Street Journal calls Gerd one of the leading Media Futurists in the World. He is the Co-Author of the influential book &#8216;The Future of Music&#8217; (2005, Berklee Press), as well as the Author of&lt;a href=&quot;http://www.music20thebook.com&quot; target=&quot;_blank&quot;&gt; &#8216;Music2.0&#8217; &lt;/a&gt;(January 2008 www.music20thebook.com), and &#8216;The End of Control&#8217; (see the preview chapters at &lt;a href=&quot;http://www.endofcontrol.com&quot; target=&quot;_blank&quot;&gt;www.endofcontrol.com&lt;/a&gt;, print publication in 2009).&lt;br /&gt; &lt;br /&gt;Gerd&apos;s background is in Music (he won the Quincy Jones Award in 1986 and is a graduate of Boston&apos;s Berklee College of Music) and in Technology, Internet and Media. His work focuses on the Future of Media, Content, Technology, Business, Marketing, Advertising, Branding, Communications and Culture, and he is considered a leading expert on topics such as social media, Web/Media 2.0, mobility, innovation, UGC and peer production, social networking, cultural changes due to disruption by new technologies, education, copyright and IPR issues, digital content commerce models, media convergence, mega trends, mobile entertainment, entrepreneurship, the future of advertising and branding, future scenarios and planning, digital content strategies and the development of next-generation business models.&lt;br /&gt;&lt;br /&gt;Gerd&apos;s keynotes, speeches, presentations and think-tank appearances are renowned for his hard-hitting and provocative yet inspiring and motivational style. With over 80 engagements in 17 countries during the past 3 years Gerd has addressed executives and professionals in the sectors of communications and telecom / wireless, recorded music &amp;amp; music publishing, radio, TV, film/video and broadcasting, online gaming and virtual worlds, and advertising, marketing and branding. &lt;br /&gt;&lt;br /&gt;His diverse client list includes Nokia, Google, SonyBMG, RTL, ITV, the BBC, France Telecom / Orange, Deutsche Telekom, The Financial Times, TribalDDB, DDB, Omnicom, the European Commission, Nokia-Siemens-Networks, Kuoni and many others. Gerd is a fellow of the Royal Society for the Arts (London), and resides in Basel, Switzerland.  &lt;br /&gt;&lt;br /&gt;More details are at www.mediafuturist.com&lt;br /&gt;&lt;br /&gt; &lt;/p&gt;</itunes:summary>


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  <blip:puredescription><![CDATA[This was one of my best presentations on the topic of the music flat rate - the PDF and more details are here. From the intro on the A2N Berlin site: Digital music is in a serious gridlock: everyone is using it, very few are paying for it, and nobody except for Apple has yet succeeded in making a business of it. At the same time, broadband penetration in Europe is exploding, mobile devices are getting ever more powerful, and almost a Billion people will be always-online at high speeds, within 2 years, sharing music on social networks and via all kinds of digital networks. Attempts at making ISPs and telecoms reponsible for solving the business model problems of the industry have failed, 95% of the Digital Natives in Europe are guilty of copyright infringement, and this logjam is becoming a major cultural, political and economic issue. Meanwhile, flat-rated, collective music licenses for the digital music are being trialled in Denmark, the Isle of Man, Turkey and China. For the past 6 years, Gerd Leonhard has been suggesting that Music on the Internet needs to be licensed like Radio: collectively, publicly and compulsory, and a revenue-sharing basis, so that a new, web-native music ecosystem can unfold..."]]></blip:puredescription>
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<br />

This was one of my best presentations on the topic of the music flat rate - the PDF and more details are <a href="http://www.mediafuturist.com/2009/09/music-like-water-my-presentation-at-a2n-in-berlin.html" target="_blank">here</a>. From the intro on the <a href="http://a-2-n.de/conference-1/a2n-conference-1?set_language=en" target="_blank">A2N Berlin</a> site: Digital music is in a serious gridlock: everyone is using it, very few are paying for it, and nobody except for Apple has yet succeeded in making a business of it. At the same time, broadband penetration in Europe is exploding, mobile devices are getting ever more powerful, and almost a Billion people will be always-online at high speeds, within 2 years, sharing music on social networks and via all kinds of digital networks. Attempts at making ISPs and telecoms reponsible for solving the business model  problems of the industry have failed, 95% of the Digital Natives in Europe are guilty of copyright infringement, and this logjam is becoming a major cultural, political and economic issue. Meanwhile, flat-rated, collective music licenses for the digital music are being trialled in Denmark, the Isle of Man, Turkey and China. For the past 6 years, Gerd Leonhard has been suggesting that Music on the Internet needs to be licensed like Radio: collectively, publicly and compulsory, and a revenue-sharing basis, so that a new, web-native music ecosystem can unfold..."

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  <blip:puredescription><![CDATA[My talk on the next 5 years in Social Media: the world is becoming a social OS, why conversation is the only way forward, the extreme Reputation Economy, social media = CRM, the shift to open ecosystems rather than closed egosystems.. and much more. See http://www.mediafuturist.com/2009/09/the-next-5-years-in-social-media-picnic-09.html]]></blip:puredescription>
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<br />

My talk on the next 5 years in Social Media: the world is becoming a social OS, why conversation is the only way forward, the extreme Reputation Economy, social media = CRM, the shift to open ecosystems rather than closed egosystems.. and much more. See <a href="http://www.mediafuturist.com/2009/09/the-next-5-years-in-social-media-picnic-09.html">http://www.mediafuturist.com/2009/09/the-next-5-years-in-social-media-picnic-09.htm</a>l

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  <blip:puredescription><![CDATA[This is an edited video from a conversation I had with the great team at http://www.freedomlab.org/ in July 2009. Topics: the economics of the media industry and why they don't work anymore, why and how the Internet is challenging most of our assumptions, why media companies are not thinking like engineers and have issues with total liquidity, the issue of extracting value vs adding value. Egosystem vs Ecosystem.]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZgZ_xRgI" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

This is an edited video from a conversation I had with the great team at <a href="http://www.freedomlab.org/">http://www.freedomlab.org/</a> in July 2009. Topics: the economics of the media industry and why they don't work anymore, why and how the Internet is challenging most of our assumptions, why media companies are not thinking like engineers and have issues with total liquidity, the issue of extracting value vs adding value. Egosystem vs Ecosystem.

]]></description>
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  <blip:puredescription><![CDATA[Produced by Freedom Lab in Amsterdam (see http://tinyurl.com/dxcxu8) this is nice video that juxtaposes some sound bytes from an interview with me with some cool graphics, ticker-text animations, and illustrations. Topics: mostly about media and the future of content. Distribution is no longer a business for media companies. Why Open Licensing is so important. The move from selling copies to selling access - how will that be monetized? How will content be curated, recommended and then... monetized by the Creators? See more details at http://www.mediafuturist.com/content_20/ ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZgZ2xeQI" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

<div><span>Produced by Freedom Lab in Amsterdam (see <a href="http://tinyurl.com/dxcxu8%29" target="_blank">http://tinyurl.com/dxcxu8)</a> this is nice video that juxtaposes some sound bytes from an interview with me with some cool graphics, ticker-text animations, and illustrations. Topics: mostly about media and the future of content. Distribution is no longer a business for media companies. Why Open Licensing is so important. The move from selling copies to selling access - how will that be monetized? How will content be curated, recommended and then... monetized by the Creators? See more details at <a href="http://www.mediafuturist.com/content_20/" target="_blank">http://www.mediafuturist.com/content_20/</a> </span></div>

]]></description>
  <comments>http://blip.tv/file/2558626</comments>
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  <pubDate>Sat, 05 Sep 2009 07:19:13 +0000</pubDate>
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  <title>Music 2.0: The Future the Music Industry explained by Gerd Leonhard</title>
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  <blip:puredescription><![CDATA[This is a summary of where things are going for the music industry: from selling copies to selling access, from control to openness, the flat rate for digital music, free / freemium / feels like free, social networking & music, mobile music etc. More at www.musiclikewater.com, free books and PDFs at Payingwithattention.com  Enjoy! And if like this video please follow me at www.twitter.com/gleonhard]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZgY3ddwI" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

<p><span>This is a summary of where things are going for the music industry: from selling copies to selling access, from control to openness, the flat rate for digital music, free / freemium / feels like free, social networking &amp; music, mobile music etc. More at <a href="http://www.musiclikewater.com">www.musiclikewater.com</a>, free books and PDFs at<a href="http://www.payingwithattention.com" target="_blank"> Payingwithattention.co</a></span><a href="http://www.payingwithattention.com" target="_blank">m </a></p><p> Enjoy! And if like this video please follow me at www.twitter.com/gleonhard</p><p>

]]></description>
  <comments>http://blip.tv/file/2304188</comments>
  <category>Technology</category>
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  <pubDate>Tue, 30 Jun 2009 18:31:20 +0000</pubDate>
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  <blip:puredescription><![CDATA[What in the world is Music 2.0? Futurist Gerd Leonhard's slideshow presents the concepts behind an open, networked, interdependent, mobile-centric, web-native music industry.More on Gerd's blog (includes the PDF) www.mediafuturist.com/2009/06/new-video-music-20-in-90-se... and check out the free book at www.music20thebook.com More free content at www.payingwithattention.com]]></blip:puredescription>
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<br />

<p>What in the world is Music 2.0? Futurist Gerd Leonhard's slideshow presents the concepts behind an open, networked, interdependent, mobile-centric, web-native music industry.</p><p>More on Gerd's blog (includes the PDF) <a href="http://www.mediafuturist.com/2009/06/new-video-music-20-in-90-seconds.html">www.mediafuturist.com/2009/06/new-video-music-20-in-90-se...</a> and check out the free book at <a href="http://www.music20thebook.com/">www.music20thebook.com</a>  More free content at www.payingwithattention.com</p>

]]></description>
  <comments>http://blip.tv/file/2302810</comments>
  <category>Technology</category>
  <category>music</category>
  <category>music2.0</category>
  <category>context</category>
  <category>copyright</category>
  <category>futurism</category>
  <category>freemiu</category>
  <category>kevinkelly</category>
  <category>keynotespeaker</category>
  <category>socialnetworking</category>
  <category>twitter</category>
  <pubDate>Tue, 30 Jun 2009 11:51:00 +0000</pubDate>
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  <title>The Future of Content &amp; Telecoms: Flat Rate Content Bundles and Social Media (Gerd Leonhard @ eComm 2009)</title>
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  <blip:puredescription><![CDATA[Futurist Gerd Leonhard's presentation on the Future of Content & Telecom at the eComm Conference in San Francisco (link incl. PDF of slides, too). Topics: Imagine a world where unfiltered and limitless access to content is bundled directly into your access to the networks. A world where 'your cloud' holds all kinds of content, your social network connections, your community, and your context (i.e. meta-content), your meta-data and your interaction-trails, and where access to all of this is feels-like-free, legal, always-on and fully mobile, on any and all platforms. This is the future we are heading into, and telecoms, content-owners and brands / advertisers must forge entirely new partnerships. We are starting to see content creators and rights-owners aborting their long-standing quests for total control, and instead looking to build their audiences and share revenues. So where is this trend going to take us, what do we need to do in order to turn content (music, video, TV, news, games, books...) into a new and truly growing business that is really web-native, where are the big opportunities for telecoms, operators, social networks and rights-holders, and what will the new business models look like? In this context, Gerd will also address topics such as the flat rate for digital music, ISP/Operator + Content bundling examples in Europe and Asia, copyright 2.0 and the future of content commerce, the shift from control-economy to attention & trust economy, the latest developments in next generation advertising, and the growing economic power of those 'new generatives' (> Kevin Kelly)..." ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZgYe4LwI" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Futurist <a href="http://www.mediafuturist.com/2009/03/the-future-of-content-telecom-my-presentation-at-the-emerging-communications-conference-in-san-franc.html" target="_blank">Gerd Leonhard's presentation on the Future of Content &amp; Telecom</a> at the eComm Conference in San Francisco (link incl. PDF of slides, too).  Topics: Imagine a world where unfiltered and limitless access to content is bundled directly into your access to the networks. A world where 'your cloud' holds all kinds of content, your social network connections, your community, and your context (i.e. meta-content), your meta-data and your interaction-trails, and where access to all of this is feels-like-free, legal, always-on and fully mobile, on any and all platforms. This is the future we are heading into, and telecoms, content-owners and brands / advertisers must forge entirely new partnerships.  We are starting to see content creators and rights-owners aborting their long-standing quests for total control, and instead looking to build their audiences and share revenues. So where is this trend going to take us, what do we need to do in order to turn content (music, video, TV, news, games, books...) into a new and truly growing business that is<em> really </em>web-native, where are the big opportunities for telecoms, operators, social networks and rights-holders, and what will the new business models look like? In this context, Gerd will also address topics such as the flat rate for digital music, ISP/Operator + Content bundling examples in Europe and Asia, copyright 2.0 and the future of content commerce, the shift from control-economy to attention &  trust economy, the latest developments in next generation advertising, and the growing economic power of those 'new generatives' (> Kevin Kelly)..." 

]]></description>
  <comments>http://blip.tv/file/2208060</comments>
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  <pubDate>Sat, 06 Jun 2009 14:24:39 +0000</pubDate>
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  <blip:puredescription><![CDATA[Broadband penetration is rapidly increasing around the world, and Internet access is no longer depending on computers but increasingly available on mobile devices such as smart phones. Soon, the kids i.e. the 'digital natives' will run the show, and they expect Radio & TV to deliver content in much the same way as the Net does: time-shifted, interactive, engaging, shareable and via any and all platforms. The imminent total convergence of the Internet and Broadcasting will bring many challenges to traditional broadcasters (commercial or public) but there are also unprecedented opportunities - this video discusses the key trends and future scenarios. More at www.mediafuturist.com ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZgYPbFQI" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Broadband penetration is rapidly increasing around the world, and Internet access is no longer depending on computers but increasingly available on mobile devices such as smart phones. Soon, the kids i.e. the 'digital natives' will run the show, and they expect Radio & TV to deliver content in much the same way as the Net does: time-shifted, interactive, engaging, shareable and via any and all platforms. The imminent total convergence of the Internet and Broadcasting will bring many challenges to traditional broadcasters (commercial or public) but there are also  unprecedented opportunities - this video discusses the key trends and future scenarios. More at www.mediafuturist.com 

]]></description>
  <comments>http://blip.tv/file/2147211</comments>
  <category>Technology</category>
  <category>radio20</category>
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  <pubDate>Fri, 22 May 2009 17:07:38 +0000</pubDate>
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  <title>The Future of Content &amp; Creativity: Gerd Leonhard at RSA London April 8 2009</title>
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  <blip:puredescription><![CDATA[This is a video of my speech I held at the RSA as part of an event on April 8 2009, entitled "New Media Futures: what next for content and creativity" Topics: The internet is radically disrupting most of the traditional content distribution and selling models, starting with music and games, followed by TV, film, books and print publishing. Once everyone is always-on, mobile and hyper-connected, and everything is available everywhere, how will content be created, distributed, marketed, consumed, and paid for? Who will do what, for whom, and how will the traditional players such as broadcasters, record labels, publishers and distributors adapt? If new players, starting with telecoms, device makers, advertisers and brands, indeed move into the content business, what will be their challenges and opportunities? Given the challenging financial climate, how do we reconcile the need to reward enterprise and secure sustainable revenue streams, with the expectations and demands of the &#8220;freeconomics&#8221; generation? What kind of legal, regulatory and cultural framework do we need to ensure that this new eco-system of creators, consumers and intermediaries generates more benefits for all involved? More details: RSA http://tinyurl.com/cxfxq4 (includes Audio Download) Slideshare PDF http://tinyurl.com/c6hw7f More details on my blog http://tinyurl.com/dawous Sorry that the lighting is not so good on this video ;(]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ_%2BIbAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

This is a video of my speech I held at the RSA as part of an event on April 8 2009, entitled "New Media Futures: what next for content and creativity" Topics: The internet is radically disrupting most of the traditional content distribution and selling models, starting with music and games, followed by TV, film, books and print publishing. Once everyone is always-on, mobile and hyper-connected, and everything is available everywhere, how will content be created, distributed, marketed, consumed, and paid for? Who will do what, for whom, and how will the traditional players such as broadcasters, record labels, publishers and distributors adapt? If new players, starting with telecoms, device makers, advertisers and brands, indeed move into the content business, what will be their challenges and opportunities? Given the challenging financial climate, how do we reconcile the need to reward enterprise and secure sustainable revenue streams, with the expectations and demands of the &#8220;freeconomics&#8221; generation? What kind of legal, regulatory and cultural framework do we need to ensure that this new eco-system of creators, consumers and intermediaries generates more benefits for all involved? More details: RSA http://tinyurl.com/cxfxq4 (includes Audio Download) Slideshare PDF http://tinyurl.com/c6hw7f More details on my blog http://tinyurl.com/dawous Sorry that the lighting is not so good on this video ;(

]]></description>
  <comments>http://blip.tv/file/2082837</comments>
  <category>Technology</category>
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  <pubDate>Thu, 07 May 2009 08:42:16 +0000</pubDate>
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  <title>Mobile Content Futures: Gerd Leonhard at Mobile Monday Amsterdam</title>
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  <blip:puredescription><![CDATA[Download Mobile Content Future Gerd Leonhard Momo Amsterdam Public 15 MB PDFEvent details here. Twitter back-channel here. Some predictions: the next 18 months &#8226; Twitter will reach 50 Million + Users &#8226; Facebook will become the default social utility - and the biggest global Content Broadcaster &#8226; Google will double it&#8217;s Advertising revenues &#8226; The RIAA and the IFPI will run out of cash &#8226; Telecoms will get flat-rate content licenses &#8226; Skype will re-emerge as content player ]]></blip:puredescription>
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<a href="http://gerdleonhard.typepad.com/files/mobile-content-future-gerd-leonhard-momo-amsterdam-public.pdf"><span>Download Mobile Content Future Gerd Leonhard Momo Amsterdam Public 15 MB PDF</span></a><p>Event details <a href="http://www.mobilemonday.nl/2009/03/30/watch-momo-10-live/" target="_blank">here</a>. Twitter back-channel <a href="http://search.twitter.com/search?q=%23momo" target="_blank">here</a>.  </p><p><a href="http://gerdleonhard.typepad.com/.a/6a00d8341c59be53ef01156f93ad98970b-popup"><img alt="New content new data economy gerd leonhard" src="http://gerdleonhard.typepad.com/.a/6a00d8341c59be53ef01156f93ad98970b-320wi" width="160" /></a></p><p>Some predictions: the next 18 months <br />&#8226; Twitter will reach 50 Million + Users  &#8226; Facebook will become the default social utility - and the biggest global Content Broadcaster  &#8226; Google will double it&#8217;s Advertising revenues  &#8226; The RIAA and the IFPI will run out of cash  &#8226; Telecoms will get flat-rate content licenses  &#8226; Skype will re-emerge as content player </p>

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  <blip:puredescription><![CDATA[Topics: A drastically different Broadband Culture is imminent - total mobility, always-on, low-cost Internet access, constant peering and pervasive social media, rivers of news and oceans of content. Developing nations will go straight to digital content-access, straight to mobile EVERYTHING and straight to next generation advertising and marketing. Control, Domination and Push / Monolog is out; Openness, Collaboration and Conversation is in. From EGOsystem to ECOsystem. Gerd describes the New Data / Content / Advertising Economy, and where things are going in the Content Industries. More at http://www.mediafuturist.com Follow Gerd at www.twitter.com/gleonhard]]></blip:puredescription>
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<p>  <span>Topics:  </span><span>A drastically different <a href="http://www.broadbandculture.com/" target="_blank">Broadband Culture</a> is imminent - total mobility, always-on, low-cost Internet access, constant peering and pervasive social media, rivers of news and oceans of content. Developing nations will go straight to digital content-<em>access</em>, straight to mobile EVERYTHING and straight to next generation advertising and marketing. Control, Domination and Push / Monolog is out; Openness, Collaboration and Conversation is in. <strong>From EGOsystem to ECOsystem.</strong>  </span></p><p>Gerd describes the New Data / Content / Advertising Economy, and where things are going in the Content Industries. More at http://www.mediafuturist.com Follow Gerd at www.twitter.com/gleonhard</p>

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  <comments>http://blip.tv/file/1949108</comments>
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  <pubDate>Thu, 02 Apr 2009 17:45:02 +0000</pubDate>
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  <title>The 21st Century Telecom &amp; Content Economy</title>
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  <blip:puredescription><![CDATA[The traditional Telecom vs Content debate is over. Content needs Telcos need Content - radical user empowerment has led to a situation where NEITHER will generate enough revenues in the future unless new business models can be jointly created. It's a question of mutual interest not who wins and who loses. Welcome to the 21st century content economy! More at my blog http://tinyurl.com/cuaca4 or at http://www.slideshare.net/gleonhard or at http://www.twitter.com/gleonhard]]></blip:puredescription>
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<br />

<p>The traditional Telecom vs Content debate is over. Content needs Telcos need Content - radical user empowerment has led to a situation where NEITHER will generate enough revenues in the future unless new business models can be jointly created. It's a question of mutual interest not who wins and who loses. Welcome to the 21st century content economy! </p><p>More at my blog  http://tinyurl.com/cuaca4 or at http://www.slideshare.net/gleonhard or at http://www.twitter.com/gleonhard</p><p>

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  <comments>http://blip.tv/file/1926015</comments>
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  <title>The End of Control &amp; The Future of Content: Gerd Leonhard Authors@Google</title>
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  <blip:puredescription><![CDATA[The End of Control & The Future of Content:The tough issue of control emerges, again and again, as the key contention point within TV companies, publishers, record labels, and broadcasters: How can a commercial venture that is based on so-called intellectual property thrive and prosper in an environment that seems to continuously and progressively remove control from the creators/owners/providers of content, and hands it over to the people formerly known as consumers (aka the users), effectively making them more powerful every single day? But the reality is that every click inadvertently makes another case for the consumers ever-increasing rise in importance. Within all the conversations I have had about things like commercial content versus shared content, about the read-only or the read-write web, and about copyright versus Fair Use, the crucial question always seems to boil down to WHERE IS THE CONTROL HERE, i.e., questions such as Who will control this new media universe and How much control do I need to run a revenue-generating business?http://www.endofcontrol.comThis even occurred on March 2, 2009]]></blip:puredescription>
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<br />

<span>The End of Control &amp; The Future of Content:<br />The tough issue of control emerges, again and again, as the key contention point within TV companies, publishers, record labels, and broadcasters: How can a commercial venture that is based on so-called intellectual property thrive and prosper in an environment that seems to continuously and progressively remove control from the creators/owners/providers of content, and hands it over to the people formerly known as consumers (aka the users), effectively making them more powerful every single day? <br /><br />But the reality is that every click inadvertently makes another case for the consumers ever-increasing rise in importance. Within all the conversations I have had about things like commercial content versus shared content, about the read-only or the read-write web, and about copyright versus Fair Use, the crucial question always seems to boil down to WHERE IS THE CONTROL HERE, i.e., questions such as Who will control this new media universe and How much control do I need to run a revenue-generating business?<br /><br /><a href="http://www.endofcontrol.com/" target="_blank">http://www.endofcontrol.com</a><br />This even occurred on March 2, 2009</span>

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  <comments>http://blip.tv/file/1892264</comments>
  <category>Technology</category>
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  <title>The Future of Music &amp; Media: Gerd Leonhard at Plugg 2009</title>
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  <blip:puredescription><![CDATA[Futurist Gerd Leonhard presents his vision on The Future of Music & Media at the Plugg 2009 Conference, addressing topics such as copyright vs usage right, the flat rate for digital music, convergence, mobility, the new digital content economy, advertising 2.0, compensation not control, and much more. Details at http://tinyurl.com/d9ew4a  Plugg 2009 was a great event - lots of great speakers and conversations; one of the best conferences I've been to in the past 9 months. Here is the PDF with my presentation; this deck actually includes some slides that I was not able to actually show due to timing constraints: Future of Media Gerd Leonhard @ Plugg 2009 PDF 15MBYou can use #plugg to find twitter updates on Plugg (btw I'm @gleonhard). If you liked my talk at Plugg, please feel free to connect with me:  *but be sure to mention the Plugg connection. Thanks. Check out another ~30 slideshare decks here, videos are here (Blip.tv - download to iPod, too). If that's not enough to keep you busy for a while... here is more Free Content from me;)]]></blip:puredescription>
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<br />

<p>Futurist Gerd Leonhard presents his vision on The Future of Music &amp; Media at the Plugg 2009 Conference, addressing topics such as copyright vs usage right, the flat rate for digital music, convergence, mobility, the new digital content economy, advertising 2.0, compensation not control, and much more. Details at http://tinyurl.com/d9ew4a </p><p> Plugg 2009 was  a <a href="http://plugg.eu/" target="_blank">great event</a> - lots of great speakers and conversations; one of the best conferences I've been to in the past 9 months.  Here is the PDF with my presentation; this deck actually includes some slides that I was not able to actually show due to timing constraints: <a href="http://gerdleonhard.typepad.com/files/future-of-media-gerd-leonhard-plugg-2009-public.pdf"><span>Future of Media Gerd Leonhard @ Plugg 2009 PDF 15MB</span></a>  </p><p>You can use<a href="http://search.twitter.com/search?q=%23plugg" target="_blank"> #plugg</a> to find twitter updates on Plugg (btw I'm <a href="http://twitter.com/gleonhard" target="_blank">@gleonhard</a>). If you liked my talk at Plugg, please feel free to connect with me: <a href="http://www.linkedin.com/in/gleonhard" target="_service"><img alt="Linkedin" border="0" src="http://www.images.wisestamp.com/linkedin.png" width="16" /></a><a href="http://www.facebook.com/profile.php?id=502410383" target="_service"><img alt="Facebook" border="0" src="http://www.images.wisestamp.com/facebook.png" width="16" /></a><a href="http://delicious.com/gleonhard" target="_service"><img alt="del.icio.us" border="0" src="http://www.images.wisestamp.com/delicious.png" width="16" /></a><a href="http://www.twitter.com/gleonhard" target="_service"><img alt="Twitter" border="0" src="http://www.images.wisestamp.com/twitter.png" width="16" /></a><a href="http://friendfeed.com/gleonhard" target="_service"><img alt="Friendfeed" border="0" src="http://www.images.wisestamp.com/friendfeed.png" width="16" /></a><a href="http://www.flickr.com/photos/51745579%40N00/" target="_service"><img alt="Flickr" border="0" src="http://www.images.wisestamp.com/flickr.png" width="16" /></a><a href="http://www.youtube.com/gleonhard" target="_service"><img alt="Youtube" border="0" src="http://www.images.wisestamp.com/youtube.png" width="16" /></a> *but be sure to mention the Plugg connection. Thanks. Check out another ~30 slideshare decks <a href="http://www.slideshare.net/gleonhard" target="_blank">here</a>, videos are <a href="http://www.gerdtube.net/" target="_blank">here </a>(Blip.tv - download to iPod, too). If that's not enough to keep you busy for a while... here is more <span><a href="http://gerdleonhard.typepad.com/freecontent/" target="_blank">Free Content</a> </span>from me;)</p>

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  <title>The Future of Broadcasting: Futurist Gerd Leonhard @ NPOX Dutch Broadcasting Convention 08 PART 3</title>
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  <blip:puredescription><![CDATA[PART 3:  In November 2008, I was invited by the Dutch Broadcasting Organization (OMROEP) to speak about The End of Control, the People formerly known as Consumers and the Future of Broadcasting (Radio and TV), at their annual gathering and conference, NPOX. There are 3 parts to this video. The PDF is here. More details at my blog. ]]></blip:puredescription>
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<br />

 <strong>PART 3: </strong> In November 2008, I was invited by the Dutch Broadcasting Organization (<a href="http://portal.omroep.nl/">OMROEP</a>) to speak about <a href="http://www.endofcontrol.com/">The End of Control,</a> the People formerly known as Consumers and the Future of Broadcasting (<a href="http://www.mediafuturist.com/2008/01/facebook-my-vid.html">Radio</a> and TV), at their annual gathering and conference, <a href="http://www.npox.nl/2008/?fId=118&amp;uId=2287">NPOX</a>. There are 3 parts to this video. The PDF is <a href="http://www.mediafuturist.com/files/the_future_of_broadcasting_gerd_leonhard_npox_2008_low_res.pdf" target="_blank">here</a>. More details at <a href="http://tinyurl.com/bc2s8f" target="_blank">my blog</a>. 

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  <blip:puredescription><![CDATA[Part 2 It's always a great pleasure to be in Holland where people are usually very open to Change and... where 88.4% of the population is online ;) I was invited by the Dutch Broadcasting Organization (OMROEP) to speak about The End of Control, the People formerly known as Consumers and the Future of Broadcasting (Radio and TV), at their annual gathering and conference, NPOX. There are 3 parts to this video. The PDF is here. More details at my blog. ]]></blip:puredescription>
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<br />

<strong>Part 2</strong>   It's always a great pleasure to be in <a href="http://en.wikipedia.org/wiki/Holland">Holland</a> where people are usually very open to Change and... where 88.4% of the population is online ;)  I was invited by the Dutch Broadcasting Organization (<a href="http://portal.omroep.nl/">OMROEP</a>) to speak about <a href="http://www.endofcontrol.com/">The End of Control,</a> the People formerly known as Consumers and the Future of Broadcasting (<a href="http://www.mediafuturist.com/2008/01/facebook-my-vid.html">Radio</a> and TV), at their annual gathering and conference, <a href="http://www.npox.nl/2008/?fId=118&amp;uId=2287">NPOX</a>. There are 3 parts to this video. The PDF is <a href="http://www.mediafuturist.com/files/the_future_of_broadcasting_gerd_leonhard_npox_2008_low_res.pdf" target="_blank">here</a>. More details at <a href="http://tinyurl.com/bc2s8f" target="_blank">my blog</a>. 

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  <pubDate>Fri, 20 Feb 2009 21:03:39 +0000</pubDate>
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  <title>The Future of Broadcasting: Futurist Gerd Leonhard @ NPOX Dutch Broadcasting Convention 08 PART 1</title>
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  <blip:puredescription><![CDATA[ It's always a great pleasure to be in Holland where people are usually very open to Change and... where 88.4% of the population is online ;) I was invited by the Dutch Broadcasting Organization (OMROEP) to speak about The End of Control, the People formerly known as Consumers and the Future of Broadcasting (Radio and TV), at their annual gathering and conference, NPOX. There are 3 parts to this video. The PDF is here. More details at my blog. ]]></blip:puredescription>
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<br />

<p> It's always a great pleasure to be in <a href="http://en.wikipedia.org/wiki/Holland">Holland</a> where people are usually very open to Change and... where 88.4% of the population is online ;)  I was invited by the Dutch Broadcasting Organization (<a href="http://portal.omroep.nl/">OMROEP</a>) to speak about <a href="http://www.endofcontrol.com/">The End of Control,</a> the People formerly known as Consumers and the Future of Broadcasting (<a href="http://www.mediafuturist.com/2008/01/facebook-my-vid.html">Radio</a> and TV), at their annual gathering and conference, <a href="http://www.npox.nl/2008/?fId=118&amp;uId=2287">NPOX</a>. There are 3 parts to this video. The PDF is <a href="http://www.mediafuturist.com/files/the_future_of_broadcasting_gerd_leonhard_npox_2008_low_res.pdf" target="_blank">here</a>. More details at <a href="http://tinyurl.com/bc2s8f" target="_blank">my blog</a>. </p>

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  <blip:puredescription><![CDATA[This short video shows how I look at Twitter, Newsfeeds and the Friendfeed 'River' on one of my 3 screens, for most of the day. Juggling this ocean takes some practice... but I am getting there. More details at www.mediafuturist.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ7ZYAAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

<span>This short video shows how I look at Twitter, Newsfeeds and the Friendfeed 'River' on one of my 3 screens, for most of the day. Juggling this ocean takes some practice... but I am getting there. More details at www.mediafuturist.com</span>

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  <title>Compensation not Control - the Future of Music! Gerd Leonhard's Keynote at MidemNet 2009</title>
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  <blip:puredescription><![CDATA[This is the official video of my presentation and speech at the annual MidemNet event in Cannes / France, on January 17, 2009. The topics: why the music industry needs to license the Internet just like it has licensed Radio (i.e. with a collective license), why criminalizing the users & fans will not work - and why those efforts should be re-directed in creating a new, Music 2.0 ecosystem that actually produces revenues, where those new revenues will come from, and how the music flat rate - music like water - would work. See my blog for more details and the PDF of this presentation. The MidemNet blog is hereMy free book, Music 2.0, is here, btw.]]></blip:puredescription>
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<br />

<p>This is the official video of my presentation and speech at the annual <a href="http://www.midem.com" target="_blank">MidemNet</a> event in Cannes / France, on January 17, 2009. The topics: why the music industry needs to license the Internet just like it has licensed Radio (i.e. with a collective license), why criminalizing the users &amp; fans will not work - and why those efforts should be re-directed in creating a new, Music 2.0 ecosystem that actually produces revenues, where those new revenues will come from, and how the music flat rate - music like water - would work. See <a href="http://tinyurl.com/9pnjcg" target="_blank">my blog for more details</a> and the PDF of this presentation. The MidemNet blog is  <a href="http://tinyurl.com/69x2hf" target="_blank">here</a></p><p>My free book, Music 2.0, is <a href="http://www.music20thebook.com" target="_blank">here, btw.<br /></a></p><p>

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  <comments>http://blip.tv/file/1765987</comments>
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  <blip:puredescription><![CDATA[Futurist Gerd Leonhard on the Future of Copyright, Content, Artists & Fans, Part of the 2008 Ars Electronica Symposium Details here: http://www.mediafuturist.com/2008/09/a-new-cultural.html and here: http://www.mediafuturist.com/2008/11/crowd-sourced-v.html]]></blip:puredescription>
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<br />

Futurist Gerd Leonhard on the Future of Copyright, Content, Artists & Fans, Part of the 2008 Ars Electronica Symposium  Details here: http://www.mediafuturist.com/2008/09/a-new-cultural.html  and  here: http://www.mediafuturist.com/2008/11/crowd-sourced-v.html

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  <blip:puredescription><![CDATA[From IT/Media Conversations : http://tinyurl.com/5w6l8f Auguts 2007 50 minutesOn The Future of Media: Gerd Leonhard expands on the key topics introduced in his first book "The Future of Music" while escalating the debate out of the music realm and into media at large. He addresses the single most important issue underlying many debates about the future of media: who controls what, why, when, and where, and how can digital content still generate revenues when most of the traditional ways of controlling its flow ( i.e., distribution) are no longer available. Interviewed by Ralph Simon ]]></blip:puredescription>
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<br />

<p>From IT/Media Conversations : http://tinyurl.com/5w6l8f  Auguts 2007 50 minutes</p><p>On The Future of Media: Gerd Leonhard expands on the key topics introduced in his first book "The Future of Music" while escalating the debate out of the music realm and into media at large. He addresses the single most important issue underlying many debates about the future of media: who controls what, why, when, and where, and how can digital content still generate revenues when most of the traditional ways of controlling its flow ( i.e., distribution) are no longer available. </p><p>Interviewed by Ralph Simon </p>

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  <blip:puredescription><![CDATA[A short video by Futurist Gerd Leonhard, showing how he uses Friendfeed, Twitter, RSS etc to stay tuned to all the information coming through his large network of contacts, friends and 'friends'... Juggling 2.0! More at www.mediafuturist.com *** Don't forget to escape sometimes, though!]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ36MNAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

A short video by Futurist Gerd Leonhard, showing how he uses Friendfeed, Twitter, RSS etc to stay tuned to all the information coming through his large network of contacts, friends and 'friends'... Juggling 2.0! More at www.mediafuturist.com *** Don't forget to escape sometimes, though!

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  <blip:puredescription><![CDATA[It took the record labels only 10 years to give people what they want: unprotected digital music. All 4 majors are now moving forward with MP3s, and DRM IS TOAST. The video dissects some of the underlying issues, and talks about what's up in 2008.]]></blip:puredescription>
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It took the record labels only 10 years to give people what they want: unprotected digital music. All 4 majors are now moving forward with MP3s, and DRM IS TOAST. The video dissects some of the underlying issues, and talks about what's up in 2008.

]]></description>
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  <title>A new world for content creators: Artists &amp; Audiences in a connected world (Part 7)</title>
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  <blip:puredescription><![CDATA[Part 7 (final) of an edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. This part is on how content creators can take advantage of the new ecosystem.Special thanks to the Scottish Arts Council for making a great video - and for inviting me! ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ3Y5EAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

<span>Part 7 (final) of an edited version of my <u><u><u><a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a></u></u></u> in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. <p>This part is on how content creators can take advantage of the new ecosystem.</p><p>Special thanks to the<u><u><u><a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a></u></u></u> for making a great video - and for inviting me! </p></span>

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  <blip:puredescription><![CDATA[Part 6 of an edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. This part is on Free / Freemium / Feels Like Free Content Commerce ideas Special thanks to the Scottish Arts Council for making a great video - and for inviting me! ]]></blip:puredescription>
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<p><span>Part 6 of an edited version of my <u><u><a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a></u></u> in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. </span></p><p>This part is on Free / Freemium / Feels Like Free Content Commerce ideas </p><span><p>Special thanks to the<u><u><a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a></u></u> for making a great video - and for inviting me! </p></span>

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  <blip:puredescription><![CDATA[Part 5 of an edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. This part is focusing on the issue of new ways to make money with Content.Special thanks to the Scottish Arts Council for making a great video - and for inviting me! ]]></blip:puredescription>
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<br />

<span>Part 5 of an edited version of my <u><a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a></u> in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. <p>This part is focusing on the issue of new ways to make money with Content.</p><p>Special thanks to the<u><a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a></u> for making a great video - and for inviting me! </p></span>

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  <blip:puredescription><![CDATA[Part 4 of an edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008. This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. This part is focusing on the issue of Getting Attention. Special thanks to the Scottish Arts Council for making a great video - and for inviting me! ]]></blip:puredescription>
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<br />

<span>Part 4 of an edited version of my <u><a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a></u> in Edinburgh, October 22, 2008.  This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. <p>This part is focusing on the issue of Getting Attention. </p><p>Special thanks to the<u><a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a></u> for making a great video - and for inviting me! </p></span>

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  <blip:puredescription><![CDATA[Part 3 of an edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. This part is focusing on the issue of protecting content. Special thanks to the Scottish Arts Council for making a great video - and for inviting me! ]]></blip:puredescription>
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<p>Part 3 of an edited version of my <a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a> in Edinburgh, October 22, 2008   This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. </p><p>This part is focusing on the issue of protecting content. </p><p>Special thanks to the<a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a> for making a great video - and for inviting me! </p>

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  <media:title>Protecting our Content? The Future of Artists &amp; Audiences (Part 3)</media:title>
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  <title>Artists &amp; Audiences in a connected world Part 2</title>
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  <blip:puredescription><![CDATA[An edited version of my presentation for the Scottish Arts Council in Edinburgh, October 22, 2008 This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. Special thanks to the Scottish Arts Council for making a great video - and for inviting me!]]></blip:puredescription>
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  <description><![CDATA[


<embed src="http://blip.tv/play/gpFZ3YYbAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

An edited version of my <a href="http://www.mediafuturist.com/2008/10/artists-and-aud.html" target="_blank">presentation for the Scottish Arts Council</a> in Edinburgh, October 22, 2008   This event, Partnerships 2.0, set out to explore how to develop audiences for the arts, film and the wider creative industries by maximising (Web 2.0) technology and new partnerships. Special thanks to the<a href="http://www.scottisharts.org.uk/1/professional/audiences/scottishaudiencedevelopmentforum/forum08.aspx" target="_blank"> Scottish Arts Council</a> for making a great video - and for inviting me!

]]></description>
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  <pubDate>Fri, 28 Nov 2008 11:27:12 +0000</pubDate>
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  <blip:puredescription><![CDATA[This is a trailer for a presentation I did on "Artists and Audiences in a Connected World - The End of Control" for the Scottish Arts Council (who made this video available - thanks!) More here: http://www.mediafuturist.com/2008/10/artists-and-aud.html]]></blip:puredescription>
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  <description><![CDATA[


<embed src="http://blip.tv/play/gpFZ3YYHAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

This is a trailer for a presentation I did on "Artists and Audiences in a Connected World - The End of Control" for the Scottish Arts Council (who made this video available - thanks!) More here: http://www.mediafuturist.com/2008/10/artists-and-aud.html

]]></description>
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  <pubDate>Fri, 28 Nov 2008 11:13:05 +0000</pubDate>
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  <title>Our Future: The Crowd and the Cloud Futurist Gerd Leonhard</title>
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  <blip:show>Gerd Leonhard Media Futurist</blip:show>
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  <blip:datestamp>2008-11-09T12:51:35Z</blip:datestamp>
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  <blip:puredescription><![CDATA[A CROWD of 1.5 Billion people on the Net, plus 3.5 Billion people on mobile phones. A computing CLOUD that allows endless storage of, and access to, content, media, data, software, MYStuff, at ever lower cost pretty anytime anywhere. That's, well, the Future! More details at http://www.mediafuturist.com/crowdsourcing/]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ2OpiAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

A CROWD of 1.5 Billion people on the Net, plus 3.5 Billion people on mobile phones. A computing CLOUD that allows endless storage of, and access to, content, media, data, software, MYStuff, at ever lower cost pretty anytime anywhere. That's, well, the Future! More details at http://www.mediafuturist.com/crowdsourcing/

]]></description>
  <comments>http://blip.tv/file/1448313</comments>
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  <pubDate>Sun, 09 Nov 2008 12:51:35 +0000</pubDate>
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  <title>Shifting values and the Future of Advertising</title>
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  <blip:puredescription><![CDATA[In an inter-connected and broadband-powered world, pedigree, age, gender, location and cash matters less and less, and reputation, creativity, trust and MERIT matter more. What will this do Advertising and Marketing? Futurist Gerd Leonhard explains.]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ2LUzAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

In an inter-connected and broadband-powered world, pedigree, age, gender, location and cash matters less and less, and reputation, creativity, trust and MERIT matter more. What will this do Advertising and Marketing? Futurist Gerd Leonhard explains.

]]></description>
  <comments>http://blip.tv/file/1441509</comments>
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  <pubDate>Fri, 07 Nov 2008 12:08:47 +0000</pubDate>
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  <title>Futurist Gerd Leonhard at Google Tech Talk London - The Future of Media, Advertising and Communications</title>
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  <blip:puredescription><![CDATA[This is video with the entire "Future of Media" talk I gave at the Google London office in July 2008. Topics: The Media Industry is in total upheaval due to the Internet - it took a lot longer than anticipated but it's now even more disruptive than we ever imagined. New and rapidly emerging cultural practices fueled by technology are erupting all around us: creators and users are both going direct (and overlap, too!), 'Feels like Free' has become the standard for music and video, complete fragmentation of audiences threatens many incumbent media business models, and Search now is Media. And finally, the Social Web may be alleviating the need for advertising as we knew it: brands can now pull the people formerly known as consumers with ads that are or feel like content, 'meet' and befriend users directly and engage them rather than enrage them with meaningless banners or TV spots. What would a web-native media ecosystem look like, and what will this mean for Marketing, Branding and Advertising? In a world where listening to / watching anything equals copying, downloading or receiving content, where access replaces ownership, how will content creators generate revenues? Is 'Control' over media needed in order to monetize it, and if not, what are the alternatives? Will everything be free, wholly supported by Advertising and Up-selling?  More The_future_of_media_presentation_at_google_london_gerd_leonhard.pdf Thanks to Google UK for making this video! ]]></blip:puredescription>
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<br />

<p>This is video with the entire "Future of Media" talk I gave at the Google London office in July 2008. Topics:  The Media Industry is in total upheaval due to the Internet - it took a lot longer than anticipated but it's now even more disruptive than we ever imagined. New and rapidly <strong>emerging cultural practices </strong>fueled by technology are erupting all around us: creators and users are both going direct (and overlap, too!),  'Feels like Free' has become the standard for music and video, complete fragmentation of audiences threatens many incumbent media business models, and Search now<em> is</em> Media.  And finally, the Social Web may be alleviating the need for advertising as we knew it: brands can now <em>pull</em> the people formerly known as consumers with ads that are or feel like content, 'meet' and befriend users directly and <em>engage</em> them rather than <em>enrage</em> them with meaningless banners or TV spots. What would a web-native media ecosystem look like, and what will this mean for Marketing, Branding and Advertising?  In a world where listening to / watching anything equals copying, downloading or receiving content, where access replaces ownership, how will content creators generate revenues? Is 'Control' over media needed in order to monetize it, and if not, what are the alternatives? Will everything be free, wholly supported by Advertising and Up-selling? <a href="http://www.mediafuturist.com/2008/08/gerd-leonhard-a.html" target="_blank"> More</a> <a href="http://www.mediafuturist.com/files/the_future_of_media_presentation_at_google_london_gerd_leonhard.pdf">The_future_of_media_presentation_at_google_london_gerd_leonhard.pdf </a></p><p>Thanks to Google UK for making this video! </p>

]]></description>
  <comments>http://blip.tv/file/1311538</comments>
  <category>Technology</category>
  <category>futureofmedia</category>
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  <category>branding</category>
  <category>copyright</category>
  <category>copy</category>
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  <pubDate>Wed, 01 Oct 2008 13:42:08 +0000</pubDate>
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  <title>Gerd Leonhard at Picnic 08: Music 2.0 and the New Music Economy</title>
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  <blip:puredescription><![CDATA[I had the pleasure of speaking at the annual PICNIC conference in Amsterdam, on September 25, 2008, on the topic of "A New Music Ecosystem- Future Models for Music Creation, Distribution, Marketing and Selling". The details: "The music industry is changing. Artists and developers everywhere are working on new ways of connecting fans and bands and developing new businesses along the way. In this PICNIC Special, the future of the music industry will be presented by keynote speaker and Media Futurist Gerd Leonhard, followed by four exciting case studies from start-ups and artists. Hosted by the Music Center the Netherlands, the afternoon will be moderated by the most passionate Dutch new media & music lover, Erwin Blom." This was a fun event, and Erwin did a great job hosting it, the only drawback being that it was somewhat a bit on the sidelines of this really super-interesting conference, and it also felt a bit like the real 'action' is no longer anywhere close to the digital music turf. For me, the most interesting 2 companies that presented after I did 'my thing' were Twones and TribeofNoise. Check them out. Below is the link to the PDF with most of my presentation (8 MB, 42 pages) gerd_leonhard_new_music_economy_at_picnic_2008_ams.pdf Download the Music2.0 book here... btw;)The video was shot and encoded by Hessel van Oorschot, CEO of TribeofNoise, credit is also given to http://www.evideo.tv  Thanks Hessel! ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZ0Ks1Ag" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

I had the pleasure of speaking at the <a href="http://www.picnicnetwork.org/page/24553/en">annual PICNIC conference in Amsterdam, on September 25, 2008</a>, on the topic of <strong>"A New Music Ecosystem- Future Models for Music Creation, Distribution, Marketing and Selling". </strong>The details: "The music industry is changing. Artists and developers everywhere are working on new ways of connecting fans and bands and developing new businesses along the way. In this PICNIC Special, the future of the music industry will be presented by keynote speaker and Media Futurist Gerd Leonhard, followed by four exciting case studies from start-ups and artists. Hosted by the Music Center the Netherlands, the afternoon will be moderated by the most passionate Dutch new media & music lover, <a href="http://www.erwinblom.nl/">Erwin Blom</a>."   This was a fun event, and Erwin did a great job hosting it, the only drawback being that it was somewhat a bit on the sidelines of this really super-interesting conference, and it also felt a bit like the real 'action' is no longer anywhere close to the digital music turf. For me, the most interesting 2 companies that presented after I did 'my thing' were <a href="http://twones.com/users/index">Twones</a> and <a href="http://www.tribeofnoise.com/">TribeofNoise</a>.  Check them out. <p>Below is  the link to the PDF with most of my presentation (8 MB, 42 pages)<a href="http://www.mediafuturist.com/files/gerd_leonhard_new_music_economy_at_picnic_2008_ams.pdf"> gerd_leonhard_new_music_economy_at_picnic_2008_ams.pdf</a>  Download the Music2.0 book <a href="http://www.music20thebook.com/">here.</a>.. btw;)</p><p>The video was shot and encoded by Hessel van Oorschot, CEO of <a href="http://www.tribeofnoise.com" target="_blank">TribeofNoise</a>, credit is also given to <a href="http://www.evideo.tv/" target="_blank">http://www.evideo.tv </a> Thanks Hessel! </p><p>

]]></description>
  <comments>http://blip.tv/file/1309857</comments>
  <category>Conferences and Other Events</category>
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  <pubDate>Tue, 30 Sep 2008 23:55:35 +0000</pubDate>
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  <title>What happens when we are all connected - Future Views</title>
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  <blip:puredescription><![CDATA[Only 3% of the world is on broadband today, and it's neither cheap, fast or mobile enough. This will change in the next 2-3 years, and the implications are huge: everyone shares, everyone networks with strangers-like-me, everyone co-creates, everything is connected. A video by Futurist and Author Gerd Leonhard. More information at the MediaFuturist blog.]]></blip:puredescription>
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<br />

Only 3% of the world is on broadband today, and it's neither cheap, fast or mobile enough. This will change in the next 2-3 years, and the implications are huge: everyone shares, everyone networks with strangers-like-me, everyone co-creates, everything is connected. A video by Futurist and Author Gerd Leonhard. More information at the <a href="http://www.mediafuturist.com" target="_blank">MediaFuturist</a> blog.

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  <comments>http://blip.tv/file/1201877</comments>
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  <pubDate>Mon, 25 Aug 2008 15:25:02 +0000</pubDate>
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  <blip:puredescription><![CDATA[I get this question all the time: what do you actually DO? What do people want from a 'Media Futurist'? What do you speak about? So - here are some answers; just a free nice images (Flickr-fueled) and headlines. The rest is all at www.mediafuturist.com.... Enjoy.]]></blip:puredescription>
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  <description><![CDATA[


<embed src="http://blip.tv/play/gpFZyZJPAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

I get this question all the time: what do you actually DO? What do people want from a 'Media Futurist'? What do you speak about? So - here are some answers; just a free nice images (Flickr-fueled) and headlines. The rest is all at www.mediafuturist.com.... Enjoy.

]]></description>
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  <category>trends</category>
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  <title>Sharing: challenging the Content and Media Industries</title>
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  <blip:puredescription><![CDATA[The technology-fueled 'Culture of Participation and Sharing' is now changing the content and media industries at a very rapid pace. Youtube has changed TV and video, forever; blogging and self-publishing has changed journalism and print media; P2P, web radio and now on-demand streaming has uprooted the recorded music industry. Any successful 'content' player must now develop and put in place a web-centric (and web-native!) business model that is based on unrestricted sharing and user-engagement as THE crucial starting point.]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZyNg2Ag" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

The technology-fueled 'Culture of Participation and Sharing' is now changing the content and media industries at a very rapid pace. Youtube has changed TV and video, forever; blogging and self-publishing has changed journalism and print media; P2P, web radio and now on-demand streaming has uprooted the recorded music industry. Any successful 'content' player must now develop and put in place a web-centric (and web-native!) business model that is based on unrestricted sharing and user-engagement as THE crucial starting point.

]]></description>
  <comments>http://blip.tv/file/1184720</comments>
  <category>The Mainstream Media</category>
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  <blip:puredescription><![CDATA[The technology-fueled 'Culture of Participation and Sharing' is now changing the content and media industries at a very rapid pace. Youtube has changed TV and video, forever; blogging and self-publishing has changed journalism and print media; P2P, web radio and now on-demand streaming has uprooted the recorded music industry. Any successful 'content' player must now develop and put in place a web-centric (and web-native!) business model that is based on unrestricted sharing and user-engagement as THE crucial starting point - not as an after-thought or a mere concession to the demands of the people formerly known as consumers. More at my blog at www.mediafuturist.com and at www.endofcontrol.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZyMIbAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

The technology-fueled 'Culture of Participation and Sharing' is now changing the content and media industries at a very rapid pace. Youtube has changed TV and video, forever; blogging and self-publishing has changed journalism and print media; P2P, web radio and now on-demand streaming has uprooted the recorded music industry. Any successful 'content' player must now develop and put in place a web-centric (and web-native!) business model that is based on unrestricted sharing and user-engagement as THE crucial starting point - not as an after-thought or a mere concession to the demands of the people formerly known as consumers.  More at my blog at www.mediafuturist.com and at www.endofcontrol.com

]]></description>
  <comments>http://blip.tv/file/1181863</comments>
  <category>Technology</category>
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  <title>Web 2.0 and all that Noise, by Futurist Gerd Leonhard</title>
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  <blip:puredescription><![CDATA[Web 1.0 was about GETTING Noise. Web 2.0 is (was) about MAKING Noise. Web 3.0 is about FILTERING Noise. Web 4.0 (ouch) is about SMART NOISE (or... going deaf?). See more at www.mediafuturist.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZv7AIAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Web 1.0 was about GETTING Noise. Web 2.0 is (was) about MAKING Noise. Web 3.0 is about FILTERING Noise. Web 4.0 (ouch) is about SMART NOISE (or... going deaf?). See more at www.mediafuturist.com

]]></description>
  <comments>http://blip.tv/file/1031974</comments>
  <category>Technology</category>
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  <blip:puredescription><![CDATA[Media Futurist Gerd Leonhard talks about the Future of Copyright: 1) An actual distinction between &#8216;Copy&#8217; vs &#8216;Performance&#8217; of digital content no longer exists 2) Even if it did: the &#8216;Selling of Copies&#8217; is no longer a growing business, or a sustainable model 3) The exclusive right to &#8216;make copies&#8217; is becoming impossible to enforce 3) Criminalization of Sharing and Policing of Web-Access is not the kind of &#8216;Justice&#8217; our society can afford 4)New Permissions & &#8216;Usage-Rights&#8217; for Digital Music can and will solve this problem. More at www.mediafuturist.com and www.endofcontrol.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZv5cqAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Media Futurist Gerd Leonhard talks about the Future of Copyright: 1) An actual distinction between &#8216;Copy&#8217; vs &#8216;Performance&#8217; of digital content no longer exists 2) Even if it did: the &#8216;Selling of Copies&#8217; is no longer a growing business, or a sustainable model 3) The exclusive right to &#8216;make copies&#8217; is becoming impossible to enforce 3) Criminalization of Sharing and Policing of Web-Access is not the kind of &#8216;Justice&#8217; our society can afford  4)New Permissions & &#8216;Usage-Rights&#8217; for Digital Music can and will solve this problem. More at www.mediafuturist.com and www.endofcontrol.com

]]></description>
  <comments>http://blip.tv/file/1028802</comments>
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  <blip:puredescription><![CDATA[Sharing content online is becoming a major driver of the new media economy, whether it's music, video, TV or news. Sharing creates Context, Relevance, Meaning and thereby Value. People now subscribe to People - and Mass Media(!) www.mediafuturist.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZtqIkAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Sharing content online is becoming a major driver of the new media economy, whether it's music, video, TV or news. Sharing creates Context, Relevance, Meaning and thereby Value. People now subscribe to People - and Mass Media(!) www.mediafuturist.com

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  <blip:puredescription><![CDATA[The first of a new series called gerdtube, this video explains the differences between a narrowband or disconnected world, and a broadband connected world. Users become creators, copyright morphs into usage right (i.e. licensing), ads become content.]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZte0LAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

The first of a new series called gerdtube, this video explains the differences between a narrowband or disconnected world, and a broadband connected world. Users become creators, copyright morphs into usage right (i.e. licensing), ads become content.

]]></description>
  <comments>http://blip.tv/file/875760</comments>
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  <title>Context is King by Media Futurist Gerd Leonhard</title>
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  <blip:puredescription><![CDATA[The debate is raging on whether Content is King, or whether Search / Platforms / Technology will be King. How can a content creator (or their agents i.e. studios, labels etc) make money if 'free' copies of everything are available to anyone that cares to look for them, when there is so much content available that the perceived value drops to zero, and when highspeed wireless networks turn every user into a walking digital content archive. Futurist Gerd Leonhard comments on a Huffington Post April 2008 column by Jonathan Handel entitled "Content is Worthless", draws from some of Kevin Kelly's 'Technium' writings, and concludes that in the Future "Context is King". Read more at www.mediafuturist.com]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZsuZPAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

The debate is raging on whether Content is King, or whether Search / Platforms / Technology will be King. How can a content creator (or their agents i.e. studios, labels etc) make money if 'free' copies of everything are available to anyone that cares to look for them, when there is so much content available that the perceived value drops to zero, and when highspeed wireless networks turn every user into a walking digital content archive. Futurist Gerd Leonhard comments on a Huffington Post April 2008 column by Jonathan Handel entitled "Content is Worthless", draws from some of Kevin Kelly's 'Technium' writings, and concludes that in the Future "Context is King". Read more at www.mediafuturist.com

]]></description>
  <comments>http://blip.tv/file/825844</comments>
  <category>Videoblogging</category>
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  <pubDate>Mon, 14 Apr 2008 12:15:52 +0000</pubDate>
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  <title>Futurist Gerd Leonhard defines Music2.0</title>
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  <blip:puredescription><![CDATA[Gerd Leonhard, Co-Author of "The Future of Music", Author of "Music2.0" www.music20book.com, blogger at www.mediafuturist.com, speaker and advisor, talks about what MUSIC2.0 actually means: open, feels like free, ubiquitous, licensed access. ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZsqo9Ag" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Gerd Leonhard, Co-Author of "The Future of Music", Author of "Music2.0" www.music20book.com, blogger at www.mediafuturist.com, speaker and advisor, talks about what MUSIC2.0 actually means: open, feels like free, ubiquitous, licensed access.   

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  <comments>http://blip.tv/file/818159</comments>
  <category>The Mainstream Media</category>
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  <blip:puredescription><![CDATA[Futurist Gerd Leonhard presents some thoughts on the Future of Public Relations: reach vs control, open vs closed, conversation vs monolog, PULL vs push... read more at www.mediafuturist.com ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZr4NJAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

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Futurist Gerd Leonhard presents some thoughts on the Future of Public Relations: reach vs control, open vs closed, conversation vs monolog, PULL vs push... read more at www.mediafuturist.com   

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  <blip:puredescription><![CDATA[Author, Speaker, Music & Media Futurist Gerd Leonhard talks about the most abused word in media today: PIRACY. Part of the White Board Wisdoms series, produced by Jonathan Marks (http://criticaldistance.blogspot.com), more at www.mediafuturist.com ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZqcdaAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Author, Speaker, Music & Media Futurist Gerd Leonhard talks about the most abused word in media today: PIRACY. Part of the White Board Wisdoms series, produced by Jonathan Marks (http://criticaldistance.blogspot.com), more at www.mediafuturist.com    

]]></description>
  <comments>http://blip.tv/file/674809</comments>
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  <title>White Board Wisdoms by Gerd Leonhard: Net-powered Musicians</title>
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  <blip:puredescription><![CDATA[Author and Music & Media Futurist Gerd Leonhard talks about how musicians and other creators are empowered by the Internet, and how they can employ the net to help their careers. More details are at www.music20book.com and www.mediafuturist.com. ]]></blip:puredescription>
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<embed src="http://blip.tv/play/gpFZqcdGAg" type="application/x-shockwave-flash" width="480" height="550" allowscriptaccess="always" allowfullscreen="true"></embed>

<br />

Author and Music & Media Futurist Gerd Leonhard talks about how musicians and other creators are empowered by the Internet, and how they can employ the net to help their careers. More details are at www.music20book.com and www.mediafuturist.com.   

]]></description>
  <comments>http://blip.tv/file/674789</comments>
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  <blip:puredescription><![CDATA[Imagine you needed a credit card and password to use the toilet or to turn on the faucet. That's what it took to buy Music online. Now the bizarre idea of protecting music downloads is finally TOAST...More at www.endofcontrol.com ]]></blip:puredescription>
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<br />

Imagine you needed a credit card and password to use the toilet or to turn on the faucet. That's what it took to buy Music online. Now the bizarre idea of protecting music downloads is finally TOAST...More at www.endofcontrol.com 

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  <comments>http://blip.tv/file/604723</comments>
  <category>Technology</category>
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